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Visual Arts
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Subject Outline |
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the earliest times artistic expression has been common to all cultures as
human beings make statements through a variety of non-verbal forms.
The art program in place at Grand Canyon School contributes to the students and the school curriculum by offering a distinct way of learning, seeing, feeling, hearing, thinking and creating that when combined allows a student to communicate on a visual, aural and tactile level. Students at GCS are encouraged to identify particular creative abilities and to master art techniques as a form of expression. The art program will establish links between subjects, cultures, and different areas of experience. MYP art allows students to develop the ability to express themselves and their ideas about the world they live in, working both independently and as cooperative members of a group. The program will provides a response to painting, drawing, and 3 dimensional works as students explore new mediums, techniques, styles, medium, drawing implements, and subject matter. This will be accomplished with a focus on use of the Art Elements and Principles of Design. The art course organizes learning around the design cycle, a dynamic, ongoing process of thinking, planning, creating and evaluating art. This cycle involves creative energy, communication, interaction and reflection. The program emphasizes the concepts and skills development with the Arizona State Standards for art in context, art as inquiry, and with creating art A sketch book will become a journal of creativity to be used continuously to record the studentís ideas, experiments and adventures with drawing and writing. Talent is not required to succeed in art. Best effort, originality, application of knowledge and progressive improvement contribute to the evaluation process |
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Aims and Objectives |
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| Aims
Participation in MYP art should enable students to:
Objectives A- Knowledge and Understanding At the end of the course students should be able to:
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Course Outline |
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Year One |
Year Two |
Year Three |
Year Four |
Year Five |
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Landscape Portraits African Masks Lettering Op Art Art of Women Environmental Art Tessellations Cave Art |
Cityscapes Who Am I Figures Australian Art Graffiti Art Pop Art Native Art Poster Art Science of Art Egyptian Art |
Canyon Art Tolerance Costume Design Cartooning Modern Art Pacific Islanders Ancient Mezo Art PSA Art Graphic Tech Middle Ages |
Drawing Contour Gesture Value Form Composition Negative drawing Earth Day Still life Color theory Landscapes Portraiture |
Advanced drawing Environmental Art Perspective Teapot (clay) Abstract painting
Recycled
Art
Altered
Books
Illustrating
Poems
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Assessment Criteria |
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Criteria A Knowledge and Understanding Understanding of the topic and the ability to talk about the topic using a range of specific vocabulary. |
Criteria B Application Planning and organizational skills as well as ability and creativity. Ability to show a range of skills and techniques connected to the topic. |
Criteria C Reflection and Evaluation Reflection and evaluation of development and process of learning. Analyzing the quality of the work and suggesting improvements. |
Criteria D Artistic Awareness and Personal Engagement Interest and personal engagement. The ability to show initiative, enthusiasm and commitment. |
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Art Course
Outline
2006-2007
Name of Course: Middle School Art 6-8
MYP Level I, II and III
Teacher and contact information:
Amy McBroom E-mail: amy@grandcanyonschool.org phone: 928.638.2461 x 414
Frequency of class: Four periods a week
Course Description:
Middles school art with a combination class of 6-8th graders explores multiple units covering a wide variety of materials and techniques. Some of these units will be based on art history, intercultural awareness, visual themes and techniques to accomplish a visual communication. Wherever possible, units will compliment the other middle school topics and questions. All students will work in their Developmental Workbook (DW) on a daily basis, exploring the creative process, journaling this process with images, and reflecting on what they have personally discovered. The middle school art course is a three year rotation for students to experience visual arts without repeating the same coursework in the sixth through eighth grades.
Topics:
YEAR ONE- How do ideas become art work?
Students will
explore and create varied projects that express different styles by using line
and color as the technical aspect to their work. Research into the history of
the style will provide the foundation of art history as they delve into culture
of the artistís life. Projects are
African mask making (HF, SE); a
look at Andy Goldsworthy and environmental art (HF, E); women artists from
different walks of life culminating with a quilt-like project similar to Faith
Ringold (HF, HSE); portraiture of Rembrandt to Hockney and the human face with
expression(HF); optical eye fooling art of the 60ís (HF), landscapes of the
romantic period to the modern interpretation of our southwest scenery for entry into Arts for Our Park juried art show(HF,E). Lastly exploring
the earliest of mans expression and culture, cave art with pigment making and
application (HF,HSE,E).
(Homo faber,
Environment, Social and ATL are the areas of interaction that are being
utilized through these units. ATLís are interwoven throughout each unit.)
YEAR TWO- How does the environment influence an
artistic outcome?
Students will look
at various habitats and the relationship with the physical and psychological
components about humans in the way and reasons they create their legacies.
After analyzing how much the environment influences the adaptation of man the
maker they in turn will create by using the design cycle and figure out
different types of materials and techniques.
Projects included
are graffiti posters on butcher paper, dreaming paintings, posters with
purposes (CS), figures of how humans see themselves in relationship to the
planet or religion. (HF, E, HSE, ATL interplay with the guiding question)
YEAR THREE- How do
the arts contribute to the human experience?
Students will
investigate how artists are used within a group to promote, design, and build
their ideas through graphic arts, architecture, murals and stone carvings.
Looking at ancient and historical time periods in distant lands as well as
modern art the students will look at the value that artist bring to a
civilization. Compare and contrast propaganda and public service work. Using
tolerance as a vehicle to understanding compassion projects include but not
limited to a PSA poster (CSE), political cartooning (HSE), stage design and
costuming (HF), Mezo carvings for public display (HF), and building a cathedral
(HF).
Teaching and
Assessment
Lessons are taught
in a variety of ways, including presentations, demonstrations, books, research
materials and independent reading. The DW book is essential to the daily
creative journaling. Every week t least two small drawings must be made in the
book. Evidence of the process, product and awareness of the areas of
interaction should be included. Due dates will be written on the gray board and
in handouts that are to be pasted in the DW.
Each year the
student will be evaluated by the following:
Projects/use of materials/presentations 60%
Developmental
Workbook 35%
Safety and
participation 5%
Evaluation is based
on in-class work, DW book, participation. Work is expected to be handed in on
time and be of good quality. Assignments will be assessed by the following
criteria from the IB rubric for Visual Arts:
Plagiarism on any
form, at any level, is not acceptable Copyright laws must be honored and
obeyed. Where research is required to complete an assignment, students must
reference all sources used.
All work must be
completed.
Only under special
circumstances will extensions to assignments be given. Artwork that is
misplaced must be re-done and re-submitted. If the first piece is found, it
will be evaluated as bonus work.
Resources
Include but not
limited to:
VIDEOS
TEXTS
BOOKS
INTERNET accessible
for web quests
Art Course
Outline
Name of Course: High School Art 1
MYP Level IV
Teacher and
contact information:
Amy McBroom E-mail:
amy@grandcanyonschool.org
phone: 928.638.2461 x 414
Frequency of
class: Four periods a week
Course Description:
Art 1 covers
multiple units (11-12) of work over the course of two semesters using a variety
of drawing and painting materials. Beginning to intermediate skills will be
developed in understanding the foundation of the visual arts. Some units will be based on drawing and
painting techniques, some on visual themes, and some on art history. All
students will work in their Developmental workbook (DW book) on a daily basis,
exploring the creative process and design cycle. Students may use the DW to journal
images and reflection on what they have personally developed.
Topics:
Fall Semester-
Elements of Design-
How does man use drawing to communicate?( HF)
Students will be
required to perform fundamental drawing skills(ATL) to include gesture, contour
drawings, studies in value , lighting and shadowing. Still life, landscape, and
portraiture will be major projects where students will do a research project of
historical artist with same subject matter. Culminating drawing project for
first semester will be a design for the Earth Day t-shirt competition for Earth
day activities (CS, E).
Spring Semester-
Color Theory- How
does color influence our feelings? (HF, HSE)
Students will
explore the usage of color and how it can affect the way a piece of visual art
is communicated. Proper usage of water colors and acrylic paint will be covered
(ATL) as well as the science of color mixing. Projects will be related to color
design and effect that color plays in a visual art piece such as posters, room
designs, landscapes and portraits.
Teaching and
Assessment
Lessons are taught
in a variety of ways, including presentations, demonstrations, books, research
materials and independent reading. The DW book is essential to the daily
creative journaling. Every week t least two small drawings must be made in the
book. Evidence of the process, product and awareness of the areas of
interaction should be included. Due dates will be written on the gray board and
in handouts that are to be pasted in the DW.
Each semester the
student will be evaluated by the following:
Projects/use of
materials/presentations 60%
Developmental
Workbook 35%
Safety and
participation 5%
Evaluation is based
on in-class work, DW book, participation. Work is expected to be handed in on
time and be of good quality.
Assignments will be assessed by the following criteria from the IB rubric for
Visual Arts:
Plagiarism on any
form at any level, is not acceptable Copyright laws must be honored and obeyed.
Where research is required to complete an assignment, students must reference
all sources used.
All work must be
completed.
Only under special
circumstances will extensions to assignments be given. Artwork that is
misplaced must be re-done and re-submitted. If the first piece is found, it
will be evaluated as bonus work.
Resources
Include but not
limited to:
VIDEOS
TEXTS
BOOKS
Art Course
Outline
2006-2007
Name of Course: High School Art 2
MYP Level V
Teacher and
contact information:
Amy McBroom E-mail:
amy@grandcanyonschool.org
phone: 928.638.2461 x 414
Frequency of
class: Four periods a week
Course
Description:
Art 2 covers
multiple units (11-12) of work over the course of two semesters using a variety
of drawing and painting materials. Intermediate to advanced skills will be
developed in understanding the foundation of the visual arts. Some units will
be based on drawing, painting and sculptural techniques, some on visual themes,
and some on art history. All students will work in their Developmental workbook
(DW book) on a daily basis, exploring the creative process and design cycle.
Students may use the DW to journal images and reflection on what they have
personally developed.
Topics:
FALL SEMESTER
Walking the line- How does man use drawing to illustrate
designs and innovations?( HF)
Students will be
required to perform perspective drawing skills(ATL) to include one point, two
point views of architecture or environment, continued blind contour drawings,
advanced studies in value , lighting and shadowing. Still life, landscape, and
portraiture will be major projects where students will do a research project of
historical artist with same subject matter. Culminating drawing project for
first semester will be a design for the Earth Day t-shirt competition for Earth
day activities (CS).
SPRING SEMESTER
Function - How does function influence purpose? (HF,
E, HSE)
Students will
explore the Idea of function and how it can affect the way a piece of visual
art is communicated. Proper usage of paints, assemblage, clay will be covered
as well as the integration and interpretation of literature with visual
references in several pieces. Projects will be related to design purposes and rationale behind
visual art piece such as ceramics ,altered books, abstractions, posters, and recycled sculptures.
Teaching and
Assessment
Lessons are taught
in a variety of ways, including presentations, demonstrations, books, research
materials and independent reading (ATL). The DW book is essential to the daily
creative journaling. Every week t least two small drawings must be made in the
book. Evidence of the process, product and awareness of the areas of
interaction should be included. Due dates will be written on the gray board and
in handouts that are to be pasted in the DW.
Each semester the
student will be evaluated by the following:
Projects/use of
materials/presentations 60%
Developmental
Workbook 35%
Safety and
participation
5%
Evaluation is based
on in-class work, DW book, participation. Work is expected to be handed in on
time and be of good quality. Assignments will be assessed by the following
criteria from the IB rubric for Visual Arts:
Plagiarism on any
form, at any level, is not acceptable Copyright laws must be honored and
obeyed. Where research is required to complete an assignment, students must
reference all sources used.
All work must be
completed.
Only under special
circumstances will extensions to assignments be given. Artwork that is
misplaced must be re-done and re-submitted. If the first piece is found, it
will be evaluated as bonus work.
Resources
Include but not
limited to:
VIDEOS
TEXTS
BOOKS
OíKeeffe-Home
Vision
Tessellation
Masks from Many
Cultures
Creating Abstract
Art
Principles of
Design
Elements of Design
Michelangelo
Alex Calder
Charles Russell
Klee
Crizmac Series-
Amazon
Pacific Islander
Recycled Resources
Portfolios, State
of the Art Program; Barrett Kendall Publishers
Adventures in Art
Level 6, Laura Chapman
Art Connections
Level 5, SRA (includes overheads)
Running on Rainbows
Usborne Intro to
Art
Mark Kistlerís
Imagination Station
Art through the
Ages
Drawing from the
Right side of the Brain, Betty Edwards
Native North
American Art
Culture Smart
Drawing with
Children
Jumbo Book of Art
Hooked on Art
Survival Guide for
Secondary Art Teachers
Art is Elementary
Color Theory made
Easy
2006-2007
OíKeeffe-Home
Vision
Tessellation
Masks from Many
Cultures
Creating Abstract
Art
Principles of
Design
Elements of Design
Michelangelo
Alex Calder
Charles Russell
Klee
Bruce Aiken
Portfolios, State
of the Art Program; Barrett Kendall Publishers
Running on Rainbows
Usborne Intro to
Art
Mark Kistlerís
Imagination Station
Art through the
Ages
Drawing from the
Right side of the Brain, Betty Edwards
Native North
American Art
Culture Smart
Jumbo Book of Art
Hooked on Art
Survival Guide for
Secondary Art Teachers
Art is Elementary
Color Theory made
Easy
OíKeeffe-Home
Vision
Tessellation
Masks from Many
Cultures
Creating Abstract
Art
Principles of
Design
Elements of Design
Michelangelo
Alex Calder
Charles Russell
Klee
Bruce Aiken
Crizmac video
series- Recycled Reused
Portfolios, State
of the Art Program; Barrett Kendall Publishers
Running on Rainbows
Usborne Intro to
Art
Mark Kistlerís
Imagination Station
Art through the
Ages
Drawing from the
Right side of the Brain, Betty Edwards
Native North
American Art
Culture Smart
Jumbo Book of Art
Hooked on Art
Survival Guide for
Secondary Art Teachers
Art is Elementary
Color Theory made
Easy
MYP curriculum Page
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